| In the fifties Las Vegas was still a small-town | | | | A friend gives him a news clipping that reveals |
| desert resort where Dean, Sammy and Frank | | | | Mallory is alive and about to be married. The |
| played and the mob profited. The Hollywood | | | | bride-to-be turns out to be Beth Dyer who's |
| crowd partied and watched atomic tests in the | | | | somehow mixed up with Vegas mobster Paul |
| desert. Richard Rayner uses this period as the | | | | Mantinelli. Valentine's carefully constructed life |
| setting for "The Devil's Wind," a tale of murder | | | | starts to unravel and he discovers that he's being |
| and retribution revolving around an ambitious | | | | used in some very nasty ways. |
| architect and a femme fatale. | | | | Rayner skillfully blends Vegas history, politics, |
| Maurizio Viglioni came home from World War II | | | | mobsters and racial prejudice in a plot that's |
| and changed his name to Maurice Valentine. He's | | | | atmospheric and totally engrossing. He gives the |
| now a highly respected architect and married to a | | | | story a genuine fifties feeling and adroitly captures |
| senator's daughter. They live in Palm Springs but | | | | a bygone era. Nevada politics, the jazz scene, Las |
| Maurice is going places - probably to the Senate | | | | Vegas glitz and the nuclear tests conducted in the |
| as Nevada's next U.S. senator. | | | | Nevada desert, they're all here. The plot itself is |
| Then he meets heiress Mallory Walker at a | | | | intricate, sometimes confusing and improbable, but |
| cocktail party. They end up in bed; she tries to | | | | it's a fun read and offers a fascinating look back |
| shoot him and later she's found dead in a car | | | | at an interesting time period. |
| crash. The besotted Valentine thinks she may | | | | Combine action, intrigue and well developed |
| have been murdered and he tries to find Mallory's | | | | believable characters and set them in Sin City and |
| killers. He also wants to know her motives for | | | | you have the basis for an entertaining mystery. |
| trying to kill him. | | | | |